Saturday, 27 July 2019

The Odic-Force

The term Odic-Force or originally Od was used by Baron von Reichenbach (1788 - 1868) to mean a hypothetical force which pervades all of Nature - 'hypothetical' that is to those who do not recognise it for what it is. 

It would seem rather obvious to note that this Od forms the basis of the Odal-Rune or Edel-Rune, and also that of Od-in. 'Od-in' or 'Od-an' means 'Master of Od', '-an' meaning 'master of' when added to a word. Woden (Wod-en) or Wodan (Wod-an) is thus the 'Master of Wod'. 'Wod' and 'Od' are the same thing, just spelled differently in different peoples. 

Science uses the suffix '-od' in various words -

  • biod -the od of animal life,
  • chymod - the od of chemicals,
  • crystallod - the od of crystals,
  • elod - the od of electricity,
  • heliod - the od of the Sun,
  • magnetod - magnetic od,
  • selenod/artemod - the od of the Moon,
  • thermod - heat od.
These can be found in the Oxford English Dictionary and are not 'invented'. This force is especially strong in magnets, crystals heat, light and chemical action. The rune-name 'od-al' or 'ed-el' could be seen as 'od' (Odic-Force) and 'el' (Light) - suggesting that this is a Force of Light whose knowledge can be found in this rune-stave. The mastery of this Odic-Force can also be found within the rune-stave. 

The Aryan Root *wuot- is the root of the name 'Wuot-an', a name which means 'Master of the Wuot' as we can gleam from what has been said already. In the name 'Godan' or 'Guodan' we can see this force as 'God' or 'Guod' and Godan/Guodan is another form of Woden used by the Langobards. 'Wood' and 'Wod' have similar sounds, which suggests to me that the 'woodlands', the haunt of Woden-Herne, are a powerful source of this Universal Force. 

When swathes of woodlands are cut down and the ancient forests destroyed the people degenerate and come closer to being destroyed themselves. After World War II the ancient forests of Germany were razed to the ground by an insatiable lust for destruction - or to try to destroy this powerful force? This destruction has increased manyfold since World War II in all areas of the world - is this really a 'coincidence'. The Odic-Force or 'Woda-Force' is clearly linked to the god Woden through the name, but also through his association with the trees and the ancient forests. The figure of Robin Hood is the most remembered Folk-Hero of the English, and survives several attempts to distort the Primal Image in TV shows and films. Robin Hood is a dim remembrance of the god Woden-Herne; he is 'Fame-Bright Hooden' or 'Fame-Bright Woden'. The Edel-Rune, as Hamasson has pointed out before, is a glyph of The Hooded One or The Hooded Man. 

The 'Double Sieg-Runes' that make up the Edel-Rune suggest a shift to the esoteric - the 'inner' since both face inwards. (This can be seen better in the above where we have a White 'S' and Black 'S', being part of the wholeness of the rune, and also suggesting the Balance of the Power of Light and the Power of Darkness. We could suggest that the key to unlocking this force is in fact - The balance of the Power of Light and the Power of Darkness. This can be likened at this level to the balance of the Right and Left hemispheres of the brain. This is the 'Gift of Ing' as seen in the form of the rune. 

It would seem fairly obvious that the Odic-Force has to be associated with the ideas suggested in the Root *wod-/*od- which are -

  • divine madness,
  • intoxication,
  • ecstatic state of consciousness,
  • swift-moving force,
  • spiritual ('od') force.
Freya, in legend, loses her 'Od'; she is married to Od, as Frigga is married to Od-in. At one time Frigga loses her Od-in when he is banished from Asgard. They are one and the same goddess. The Goddess Idunn (Id-unn) has the same concept within her name. Indeed the name 'Id-an' comes to mind here which may be something to ponder upon. We can thus perhaps relate the following terms to the Odic-Force -

Wad - Wed - Wid - Wod - Wud

Wat - Wet - Wit - Wot - Wut

When we table this as above we can see so many links between god-names, examples being Wodan-Woden and Wade-Wate, as well as Wid-Wit since we find variations of the name Widu-kind and Witte-kind. We can also place a 'V' where the 'W' is to gain further insights. 

'The forest should only be tended by people who love it. Those who view it as an object of vulgar speculation not only harm the forest, but everything that crawls on the face of this Earth as well; for the forest is the cradle of water. If the forest dies, then the springs dry up and the pastures are laid to waste. The Earth will then be engulfed by a restlessness from which none of us will escape. The rescue of the forest signifies the rescue of peace.'

Viktor Schauberger - Vienna October 1936.

According to Viktor Schauberger the key to the power of the forests over all life lies in water. In the above table wat of course is also the root of 'water' and Woden is connected to 'water' through his name, as is Wade or Wate, the father of Weland the Smith. According to his ideas water-blood-sap are not circulated by any mechanical means but by a form of energy-transformation. 

The shape of the Lagu-Rune, the Rune of Water, shows a form of 'fountain' where the water moves upwards through the upright-stave. This same movement can be found in the Eohls-Rune or 'Life-Rune' where there is an upward-movement into the branches of the tree as the sap rises within the trunk. Water, according to Schauberger, originates from the Ur-Will, again linking this to Woden-Will-Weoh. The two polarities of male (Ur-Father) and female (Ur-Mother) when in balance produce the 'child', i.e. create a third force or 'life'. This is the truth hidden within The Hooded Man Prophecy -

'In the days of the Lion, spawned of the Evil Brood, The Hooded Man shall come to the forest. There he will meet with Herne the Hunter - Lord of the Trees - to be his Son and do his bidding. The Power of Light and the Power of Darkness shall be strong within him. And the guilty shall tremble.'

The essence of this is not merely the prophecy of a 'Coming Man' or 'English Folk-Hero' but is also concerned with the powers that bring into being all life, the balance of opposites that create a third. The alien religions of Judaism, Islam and Christianity suppressed the female and thus created the imbalance we see in the world today. A backlash to this was inevitable but has today began the process of replacing this male dominance by a female dominance, which again will create the necessary unbalance needed to sustain the Old Order and its destructive energies. The Hooded Man and his sword - Albion - are symbolic of the balance of the Power of Light and the Power of Darkness in the individual. The balance of the Spear (Gral) and the Chalice (Graal). When the Spear is plunged into the Graal the birth of the 'Son' occurs. 

The power of the Sun is female, but the Rays of the Sun that affect the Earth are male. This seems clear in the figure of Sunna as the female Sun and Ingwe as the 'Rays of the Sun' as they hit the Earth. These are the Golden Bristles of the Boar - Ingwe-Frey. Thus the Avatar is a man-child emanating from the Goddess Sunna - the 'Son' born of the 'Mother', the secret of the 'Virgin Birth'.

I have digressed somewhat (as usual) but all of these things seem to fit together in a pattern or form. The secret to fertility and the fertile land was known by the English as we can see from the Acerblot and the call to the union (Sacred Marriage) of the Sky-Father and the Earth-Mother. The Ur-th Mother or Ur-Mother is Erce, a word which appears to come from the Greco-Latin arche which is the root of 'archetype', and thus cognate to Ur in Teutonic Lore. IR/UR is the Ur-Father and ERCE/URCE is the Ur-Mother. These are parts of this Odic-Force or Universal Life-Force, the 'polarities' of the Odic-Force. 

The Ur-State

From the Oxford English Dictionary we get ur meaning 'primitive', 'original' and 'earliest' which gives rise to the following -

  • primordial,
  • primeval,
  • primal,
  • fundamental,
  • of the first principle,
  • elementary,
  • of the first age of the world,
  • ancient,
  • existing from the beginning of time,
  • the starting-point.

The word 'primitive' suggests something 'backward' which in a way it is; but it is not how people think of this today. 'Prime' means 'first' or 'foremost' and the sense we should use this, and the Ur-Rune is that of 'The First Time' or the 'Dawn Time'. The Germans use the word ursache which is best rendered Ur-sache in order to emphasise the importance of the Root 'ur'. Thus we use the term Ur-spring meaning 'springing from the Ur or First Time'. 

We have emphasised time and again that ritual should be based upon the idea of 'recreating' this First Time or Primal Time (Ur-Time). This holds true of all Nature, since there is always and Ur-Form which we could render archetype - 'Primal Type' (Ur-Type). We can see this in the way that Nature works, for when man alters the natural form of plants through 'breeding' new varieties, many of these, when seeding, revert to their original form. Take, for instance, the 'thornless' blackberry which is wholly unnatural; when this seeds, or even when it reproduces by 'layering', some of the species reverts back to having thorns, proving that Nature produces the Ur-Form which is the most natural form. 

We can also understand the nature of Ur when we consider that the foetus is a kind of 'blueprint' for the living being produced. Certain sensitive people can see the 'blueprint' of plants, the energy-field that surrounds all life, and which includes human beings. It seems to be a fact that such 'sensitives' have been able to see this energy-field as complete even when an individual has lost a limb. This 'blueprint' can thus be equated with the Ur-Form which is the original form of life. 

The Aurochs is the Ur-Ox or 'Primal Ox' and thus the first form of this mighty creature. We should perhaps note the change from 'ur' to 'aur' in this word, which suggests the two prefix's are interchangeable. This seems to be proven by the more famous 'OM' which is sounded more like 'AUM' and is indeed spelt this way as an alternative, used to emphasise the sound. In Wodenic Lore the Yr-Rune represents Ymir, where the 'Y' may be sounded as 'Au', maybe something like the Old English cyning pronounced 'cooning' rather than 'kin-ing'. Again, it should be noted that the Yr-Rune, as shown below contains the Ur-Rune -

We should also note that AUR can also be seen as OUR which is a form of the 'collective'; the Ur-Form is the basic form of the collective species as a whole. This gives us hope for the future of our Folk, if only we can delve further into these ideas. The Aryan Folk has an Ur-Form or 'Primal Form' to which it would revert if it were to once again become 'wild'; a return to the 'wilderness' would be the key to this regeneration of our Folk. We need to become more 'primitive' in many ways, especially (at this time) in regard to seeing ourselves as having to live in this unnatural society, but not be part of it. We need to become Wolf's Heads within this dying society. 

The Ar-Man should thus be seen as the Ur-Man whose symbol is the Ur-Man-Sul - the 'Column of the Ur-Man'. The 'Primal Irminsul' is seen in the above English Yr-Rune. The Younger Futhark and the Armanen Runes have a totally different glyph -

This is the Yr-Rune which becomes the Calc-Rune within the English Rune-Row; it is the 'Death-Rune' at one level, though this meaning refers more to the Death Mysteries than to any negative sense of the term. It can be the 'Yew-Bow' since the glyph shows this too, so this is the link between the two runes in their glyph-form. 

The ideas of 'Primal Ice' and 'Primal Fire' (Ur-Ice & Ur-Fire) can be seen in this light too, because they are Ur-Forms that existed at the 'beginning' - the Ur-Time. Again, this suggests that to gain the knowledge of anything we have to go back to their Ur-Form, that form that existed in the beginning - Ginnungagap. The term 'ginnunga' is merely 'be-ginn-ing' and 'gap' means a 'gaping chasm' or 'abyss'. This can also be seen as a 'gap' and I am here reminded of a certain method suggested to Carlos Castaneda by his shaman, Don Juan. This method of 'seeing' entails looking at the spaces in-between. For example, looking at a tree with its trunk, branches and leaves, but not at the tree itself but the spaces in between the leaves etc. This is thus the 'gaps' which exist 'in-between' the physical reality. 

Eoh & Eh

Runebinder has covered some of this in his Volkische Runology so this is a short piece that I hope will complement his original ideas. 

The Eoh-Rune is the Thirteenth-Rune having the meaning 'yew' and thus connected to the Yew-Tree which is sometimes seen as the Tree of Immortality. The IE Root *aiw- means -

  • Vital Force,
  • Life-Force,
  • Long Life,
  • Vigorous Life,
  • Eternity,
  • Life Everlasting.
The Sanskrit ayuh means 'life' or 'health' giving rise to the Ayurveda. From these meanings we can see how the Yew-Tree, although being a very poisonous tree, is linked to immortality, eternity and to the Life-Force or Vital Force. 

The Eh-Rune means 'horse' or 'twin horses'; this is a glyph of two horse's heads facing each other, bound into one rune-stave. But this rune is connected to the Eoh-Rune not only through the name-sound but also through the concept of 'Life-Force' or 'Life-Energy'. Firstly, there are two things that should be noted, two ideas that link the runes -

  • The Yew-Tree is (at one level) the World Tree, upon which Woden hangs in his Self-Sacrifice.
  • The tree upon which Woden hangs is called The Steed of Ygg, thus being seen as a horse
We have a clear link between the two runes through these ideas, notwithstanding the names of the runes which are so similar. Runebinder has pointed out that in the Lord of the Rings we have names such as Eomir and Eowyn which relate to 'horse'. If we go to his Book of Lost Tales we find the figure of Eoh who is slain by Beorn, his brother, and Hengest and Horsa have to avenge the death of their father Eoh. Tolkien has woven the story of Hamlet into his English Mythology. We have the prefix eo(h) used for 'horse', even though the rune is eh. 

In the Vedas we find the horse - Ashwa - (*) being force, whilst the cow is symbolic of light. This force thus appears to be connected to the IE Root *aiw- and to the Yew-Tree, and to the Horse. Of course, the Vedic Aswins - the equivalent to Hengest and Horsa - are thus connected to these ideas -

  • Power and Light.
  • Knowledge and Will.
  • Consciousness and Energy.
  • Go (Light) and Ashwa (Force-Energy).

(*) Note the name Ashwa which hints at the 'Ash-Tree'; now, even though Bede may have been wrong when he stated that AEsc was the progenitor of the AEscingas which were the kin of Hengest and Horsa there may still be some link here. They were the Oiscingas related to Oisc/Oski: both the Ash-Tree and Yew-Tree have been seen as representing the World Tree.

So we have the 'steed' (horse' and the 'tree' both of which are linked here through these two runes. The horse was widely used as a Solar Symbol, sometimes interchangeable with the Dragon. Most of the tribes here in England at the time of the Romans used the Solar Horse on their coins, and were certainly heirs to the most ancient Solar Religion. 

The English runes eoh-eh show the link best, but it can still be found in the CGF runes aiwaz-ehwaz, although the letters are not as similar as the English. The horse is symbolic of the Force of Life because it is swift-moving. 

There is also here a link with the Yr-Rune which means 'Yew-Bow' and which has the ideas steed-warrior-aethlinga written into both rune-meanings in the Old English Rune Poem. There is yet another hidden link here because within the Ur-Rune is the Irminsul, and 'ermine' has the Root *ermin- which can (at one level) mean 'fast-moving'. Again, the Irminsul is another version of the World Tree. The 'horse' and the 'tree' once again. The glyph above is the Ur-Irminsul as seen from its being Ur & Irminsul. 

Horses draw the chariot of the Aswins, but they change to swans in its upward movement. The 'Chariot of Ing' is the Great Bear whose movement stems from Bootes, the Constellation of Ing and 'driver' of the Waen. 

Wednesday, 10 July 2019

The Gifts of Ing

There are three runes which can refer to the 'Gift of Ing', together with a fourth which, if used in an alternative version, means the same -
  • The Ing-Rune
  • The Edel-Rune
  • The Gar-Rune
  • (The Stan-Rune - Stone of Ing)

The Ing-Rune

This rune is made up of two Gyfu-Runes, one on top of the other, which is the 'Kan-Fusion Ing-Rune'. Placed upon its side makes the 'Ur-Fusion Ing-Rune'. The Germanic Ing-Rune is seen as the 'diamond-shaped' centre. Thus 'Gift of Ing'.

Since this is the Rune of the Blood then the 'Gift of Ing' is the Sacred Blood and the Blood Memory. This 'gift' is held deep within the Blood of the Arya, awaiting its time to be awakened. This is also symbolic of the Gift of Immortality since Ing is the 'Resurrected God'. This rune also represents the Igneous Blood or Fiery Blood of the Serpent. 

The Edel-Rune

This rune is a 'bind-rune' made up of the Gyfu-Rune and the Germanic Ing-Rune, thus again 'Gift of Ing'. This time the rune represents the 'Gift of Ing' as the homeland (Heimat), specifically the ancient 'Race-Land' known as At-al-land, where once the English Tribes dwelt. This land sank beneath the North Sea, the last part around the area of the Dogger Bank. 

England is the 'Land of Ing' and thus is also the 'Gift of Ing' to his Folk, the English. Whereas the Ing-Rune can be connected to the English Folk, the Edel-Rune is connected to the Land of Ing. The IE Root *at-al can be related to 'over' or 'beyond' and thus this rune recalls that At-al-land sank beneath the waves and yet the Gods drew these lands into another dimension of time and space, so they are still there but cannot be reached except by the Straight Road as Tolkien asserts. 

The idea of 'Ley-Lines' is a modern invention but it is certainly true to say that most ancient sites are sited on straight lines. These are usually seen to be 'energy-lines' or 'dragon-lines', but legend tells us that such straight tracks were called the 'Dead-Ways' and associated with the dead and thus with the Ancestors. There is thus a possibility that Tolkien's ideas on the Straight Tracks are linked to these Dead Ways and this also may apply to these ancient lands which exist in a parallel world. 

The Edel-Rune is also symbolic of Atlas (At-al-as = the Racial Ase) holding the world upon his shoulders. This symbol appears in old texts but in a rounded form. This rune is thus, like the Gar-Rune, connected to the human spinal column as well as the world axis. 

That the rune is associated with Spirit is clear through the rune-name 'Od' (Od-al) and also with the 'Od-Force' or 'Wod-Force' which is that of 'Divine Madness' or 'Intoxication'. 

The Gar-Rune

Once again, this has a Gyfu-Rune and Germanic Ing-Rune, but these are separate runes as opposed to the Edel-Rune which is a 'bind-rune'. This is the Spear of Woden which is the 'Gift of Ing' like the other two. However, this rune represents the Sacred Centre or Cosmic Axis, at a microcosmic level the human spinal column. This itself is interesting since the side-view of the spinal column is the Serpent whilst the frontal view is that of a downward-pointing Spear. 

In the most ancient texts the 'World Tree' has its roots in the heavens and its branches in the Earth, and is upside-down. Since Iggdrasil is the cosmic representation of the same idea as the human spinal column then we see here that the 'Spear' (Cosmic Axis) is upside-down. The 33 runes run from Feoh at the top down to Gar at the base of the coccyx.

The 'spearhead' is thus the last four runes - Cweorth, Calc, Stan, Gar, which are the Graal-Runes. Thus, the 'Gift of Ing' to his Folk is the Mysteries of the Graal, and the Way to Immortality, when Man can overcome himself to become the God-Man. Gar, as the Cosmic Axis, represents all 33 runes which are found on the spinal column (24 vertebrae, 5 sacrum, 4 coccyx). 

I was watching a video on Kundalini Yoga which made some interesting points on the 'chakras'. The Rishis who wrote down the ancient texts as 'seers' did not allocate the seven colours of the rainbow to them, as we have been led to believe. This is a 'New Age' thing created in modern times. In fact the images given to these 'chakras' was very basic, perhaps allowing for flexibility in the individual thinking. It was suggested that the 'chakras' are the means of visualising these centres to allow the rise of the Kundalini and thus created by the Rishis for this purpose. 

This idea can be used in our runic work, and the visualisation of the 33 runes going downwards from the neck to the base is thus a meditation practice that is valid. This also goes for the Three Cauldrons which, like the chakras, can have correspondences developed that are there to aid each individual in meditation. We have used the term Mount Me-Ru from the Hindu Texts because this means 'Mount of Measurement of the Runes' (to us). This is the 'Sacred Mountain' as well as the 'Sacred Tree'. Iggdrasil has an alternative name meaning 'The Measuring Tree'.

The diamond-shaped Ing-Rune represents the Sacred Island which is the 'Gift of Ing'; the shape of England, according to two Roman historians, was that of an elongated diamond, as the Ing-Rune. Maybe there is a link to the island where the Last Battle will take place - Oskopnir - which I believe to mean something like 'odd-shaped'. Alternatively, on a conjectural level, this could be 'O-skop-nir' where the 'O' is often squared off into a diamond-shape - 'Ing-Shaped'.

We have to note here that the above ideas can only be equated to the English Rune-Row, since the Common Germanic Futhark contains the Ing-Rune without 'Gyfu', and the Gar-Rune does not appear at all in this rune-row. Only the Odal-Rune would have this meaning. This has to be an important point since the English Rune-Row is specific to the English Folk and the 'Friends of Ing'. These are 'English Mysteries'. 

The Stan-Rune

Strictly speaking we should include the Stan-Rune when used in the above form; this contains the Ing-Rune and is used within the Ar-Kan for the 'Holy White Stone of Ing'. Since the clear message on the Stone is 'Gift of Ing' then using this rune to symbolise this particular Ancient Stone is quite valid. 

The usual version of the Stan-Rune does not have this feature, but is made up of two Eh-Runes and thus perhaps linked to Hengest and Horsa, and even the White Horse Stone. The rune is certainly associated with the horse. With the rune before this - Calc - we have 'White Stone', and thus we have 'White Horse' which is the steed of Hengest and Horsa. It is said that a horse's head is carved on the White Horse Stone, but although there is something on it this is not clear at all. 

The White Stone of Ing

The 'Gift of Ing' is here Fire and this is the Firestone; one photo of this, as Runebinder has pointed out, has a Feoh-Rune on the top, symbolic of the Solar-Fire connected to the Solar-Wisdom. Even though this is not on the stone itself, merely on the photo, its appearance is still significant. Each of the runes here is made up of a number of Germanic Ken-Runes - 'Fire-Runes'. 

The Ing-Rune is an Edel-Rune to which is added the Ken-Rune - Rune of the Fire-Serpent. Runebinder has pointed out that this is the 'Crowned and Conquering Son' or 'Crowned and Avenging Son' - Wid-Ar. Ing represents the 'sap' which arises in the spring; it thus represents the Blood that circulates, just as the 'sap' circulates around the plants. The 'Blood' carries the 'Spirit'; this is the Mystery of the Blood. 

Then we have certain sword-names that contain the word '-ing' -

  • Miming - The Memory of Ing.
  • Nothung - The Need of Ing.
  • Balmung - ?

These swords are just named without any reference to why they are named so; we do not know much about them because we are not told. Julius Evola mentions a sword-sheath named 'Blood Memory', so here again we have links between blood-memory-sword. I have mentioned before how 'Ing' and 'Igg' could be linked together, and even with the same sound. In the by-names of Odin we find that he states that he was 'Igg' before he became 'Woden'; in certain Norse Sagas names with Ing- are of 'one-eyed' figures, which has to be symbolic. 'Iggdrasil' is the 'Steed of Igg' - the 'Steed of Woden', but why have it named after a former name of Woden

Friday, 22 February 2019


The Stan-Rune

I have shown how the Peorth-Rune represents the posture used by the players of the Taefl-Board Dice Game. Stan can be the 'stone' used as pieces in various board-games from ancient times. Such games were not just for 'play' and 'fun' but were originally used as the means to determine Wyrd, the workings of 'fate' at various levels, especially according to the rules of warfare. Chess is a clear example of the Eternal Battle between Light (White) and Darkness (Black). 

The Stan-Rune is made up of two Peorth-Runes and is thus directly related to Peorth. There are various meanings that can be found in the IE Root *per- 

  • Forward, through, in front of, before, early, first, chief, near, at, toward, against.
  • To lead, to pass over.
  • To try, to risk, to lead over, to press forward.
  • To strike.
  • To sell, to traffic in.

However, as I said before, the 'p' is not used in early Germanic Languages, so I have suggested that the rune-name could have been Weorth since it is clearly associated with Wyrd and with Becoming. We must look at the IE Root *wer- which is the root of Wyrd -

  • High raised spot (wen).
  • To raise, to lift, to suspend.
  • To twist, to turn, to bend, to coil.
  • To perceive, to watch out for.
  • To cover, to hide.
  • To burn.

The basic meaning here is 'to twist', 'to turn' or 'to coil' and this is the root of what we known as 'to become' and 'becoming'. This is where the link to Wyrd comes in. Wyrd is 'becoming', as opposed to 'Being' which is the Immovable Centre. Wyrd moves like water, constantly changing direction when faced with small barriers, yet constantly flowing ever onwards despite all obstacles. 

Stan represents the actual 'pieces' on the board; these are the objects that are 'played' rather than the players or the actual board-game. Peorth can be the posture of the players or it can be the 'dice-cup' which is used. This is important because today Taefl is not often played with dice, and yet this is the aim of the game - a game of 'chance'. Yet, beneath that 'chance' is an underlying pattern of order. Played as we do today this becomes down to the skill of the players, but with dice we enter the realm of 'chance' and of 'fate'. Of course, the dice could be made of stone, and this should be added to our ideas on this rune.

The emphasis on the board-game can be seen in the Old English Rune-Poem where the game is played in the 'beer-hall'. Although the term 'board-game' is not used it is inferred through the rest of the lines. The game is played by the wigan or 'warriors', thus relating it to battle and war. The Old English symble is used for 'always', but here we could perhaps see a link to the symble or ritual drinking which is associated with the Wyrd of the Tribe

The concept of struggle, battle and war was very different in ancient times, and was far more ritualised than we could imagine. Weapons were hallowed and given names, flags and banners were especially made up, hallowed and raised on the battlefield. Over the past one hundred years we have seen such things as flags and banners going out of use in battles, but even so they are still the focal point of street demonstrations and marches. Weapons, flags and banners were once thought to have a life of their own; the idea of ritual hallowing was to give Life-Force to them. Symbols have a life of their own and are very powerful, which is why they are still widely used today even in a 'consumer society'. The board-game was used before battle to try to decide the outcome, and maybe to change the 'luck' of the tribe. 

Sunday, 10 February 2019

The Sign of Ingwe

It is my belief that the Sons of Ingwe should unite under a common symbol, one which is simple to use and to understand, one that can be understood by everyone - the Rune of Ingwe. Using the Old English version of the Ing-Rune, as a lone symbol for our movement, and transposed upon the White Dragon as a common Flag of England, this symbol would be powerful enough to unite a people for a common cause. 

The 'dot' in the centre is the 'Seed of New Life' held within the Nation of Ing, waiting to be reborn as the new English Folk-Nation. This 'seed' now needs to be sown, from whence a period of gestation will follow, in which the seed will begin to form a new 'being' - the English Folk-Nation. Through the last couple of decades we have begun to create this 'seed', which, as with every 'seed' is a blueprint for the 'adult' form - the final form of this Folk-Nation. By taking this up as a symbol we not only reclaim our origins, and the Divine Ancestor of the Sons of Ingwe, but we proclaim our aim of resurrecting the English Folk from the ashes of its destruction. 

We have all of the symbols contained in this very simple rune-stave, the Rune of Cleansing Fire and Recreation (the top version), and the Rune of Virility and fertility of our Folk that will give birth to the new Folk-Nation. Even the remains of any resistance to our manipulators will become invalid as the old symbols are thrown aside - the English Cross and the outdated White Dragon now flown by many who have no idea of its meaning and use. The new English Flag - the Rune of Ingwe on the White Dragon of the English - will replace all former symbols, symbols that are today misused and manipulated by our enemies. 

Rune of Ingwe

This rune also contains two Edel-Runes made up from the Germanic Ing-Rune; these are the Divine Twins in their aspect of founders and creators of a new Folk-Nation. The Germanic Ing-Rune is the 'head' of both figures, joined as one in a unity of Blood and Land. This rune also bears the origins of the Sons of Ing - At-al-land - whence the English Tribes dwelt before the Great Cataclysm that sank these lands, and scattered our people around the Earth. Ingwe was hailed by the Goths - the 'Folk of God' - and these are part of the Seven Tribes of Ing that form the Sons of Ing or Friends of Ing. The roles of Woden (Warrior-Priest) and Ingwe (Sacral King) will be united again in the same Folkish Movement that must arise in these times when almost every form of resistance is being distorted and manipulated by our enemies. 

From what I hear there is a growing interest in Odinism, although not at this time in quite the right way. Perhaps it would be truer to say a growing interest in Odinic Symbols. There seem to be a growing number of groups springing up around England using Odinic Symbols, but many of those involved are not so in any religious sense whatever, and know almost nothing of the religion at all. Indeed, there are a number who are not at all race-conscious, and in places we can see that there may well be groups being set up as 'stop-valves' to draw people away from the true Odinist-Wodenist-Wotanist Religions which would have the power to deliver our Folk from destruction. 

Having said this I do not feel this a matter for great concern because where our symbols arise they can be manipulated, but at only a very shallow level, and such symbols have the power to work themselves and to work out a destiny of their own. As long as we have a strong Folkish Movement alive and growing stronger this will be enough to allow our Folk to find us when they have realised that the false groups have nothing really to offer, and that these groups really have little knowledge of what this is all about. That such false groups are being set up shows how concerned our enemies are of this new growth. 

Some of these groups offer excitement and a new feeling of manhood, which is fine up to a certain level since it is how our menfolk should be. But strength has to be united with knowledge and wisdom and this can come only through a deeper knowledge of the Myths, Legends and the Runes. To believe in a continuum based upon Ancestral Worship and honouring our forebears means a belief in Race-Consciousness which is not recognised in all quarters today. It seems we have moved from the extreme of 'racism' upheld by many who believed in Race-Consciousness to a non-belief in the importance of Race. When looked at this way this former extreme view is probably the cause for the problems we face today, and in retrospect it seems likely this was deliberately developed by our enemies. Race-hate leads nowhere as this proves, but a love of one's own race develops a sense of Race-Consciousness in a positive way. This path we have always taken and had everyone taken it up we would be in a far better position today. 

At this point what is needed is a new impetus, a new input of energy, and that can be done by using a Sacred Symbol which can take upon itself a new life of its own. We adopted the White Dragon as a unifying symbol which has certainly spread much further than anyone could have imagined. But what is now needed is a simplified symbol on the lines of such easily-identifiable symbols used by many groups today. We can use many symbols, but we need one symbol that will unite us as a Folk, and that can be the Rune of Ingwe which has so many inner meanings. This is also a rune widely used for tattoos, which again spreads it to a wider audience, even though most will not know what it means. 

We have sound proof that Ingwe was the Divine Ancestor of the English in the White Stone of Ing and the Legend of Cuthman. What we have is the knowledge that Ingwe lead the Inglinga out of At-al-land, moving eastwards over the waves. In the knowledge that the original Great Cataclysm was followed by a mini Ice Age, this movement would be eastwards and southwards into warmer climates where living would be easier, though some tribal sections would have remained amongst the ice and snow in areas that were still useable. We have also the prophetic knowledge that the 'new god' of our world-age is in fact Ingwe, through the revelations in Revelations, where the finding of the White Stone is prophesied. 

Through the unity of Woden (AEsir) and Ingwe (Waene) we will be able to create the True Haeldom which is part of our Aryan Mythology. Through the eternal symbol of the New Dawn - the bright and Morning Star - we shall be able to bring back to life the ancient Tribes of Ingwe. As I said, the Ing-Rune contains two Edel-Runes, this rune being that of The Hooded One - Woden. In fact the rune-name tells us this is a Rune of Odin (Odal), and it is the Rune of Race and of the Racial Homeland - Blood and Land. All of these mysteries are hidden in the Rune of Ingwe. Also incorporated into the same rune are the Mysteries of the Elves. It is the Sons of Ingwe who have the true Mysteries of the Elves. 

Ingwe is Arctur(us) who is the true Once and Future King, shown here as the Spear-God (or Club-God) and Hunter-God, who combines the role of the landsman (sickle/scythe). He is seen here with his Two Hunting-Dogs, crowned with Golden Stars (Corona Borealis). But there is another, and perhaps more important role of Ingwe, as the 'Driver of the Waen'. The Chariot of Ing is the Great Bear/Plough/ Big Dipper which has Ing as its driver, the force behind the movement of the Great Bear around the Pole Star. 

Thursday, 10 January 2019

Graal Mysteries

It was Hamasson who had a dream that the Cweorth-Rune (above) was the 'handle' of the Broken Sword. The blade here is missing and thus 'broken', and this forms part of Germanic Mythology. We have to assume here that the Cweorth-Rune is also that of the Sword (sweorth) by a play-on-words. The word 'sword' comes from the Aryan Root *swar- which has the following meanings -

  • to murmur, hum, buzz, or speak (imitative origin).
  • to shine, glow, burn.
  • to string, to bind.

It is interesting to note that when we use the term 'Black Sun' we should really use Swart Sun which is from the Old English. The word swart stems from the same Aryan Root *swar- meaning 'to shine', 'to glow' or 'to burn' because the true and original sense of the word meant 'blackened by heat'. We here has a direct link between the Black Sun and the Sword, even though this is a very subtle link and not obvious without knowing the root-words.


This stems from the Welsh 'Caledfwlch' and Medieval Latin 'Caliburnus', and these stem from the IE Root *kal- meaning 'hard'. Since most of the words used in myth and legend have subtle inner meanings this name does not seem to give us anything to go by if we take this as the only meaning. But if we use an older dictionary we find the following -

Aryan Root *kal-/Teutonic Root *hal- meaning 'to hide' or 'to cover'. 

Aryan Root *kal-/*kar- meaning 'to cry out' or 'to exclaim'.

Aryan Root *kar-/Teutonic Root *har meaning 'hard' or 'rough'. Also meaning 'to curve' or 'to roll'.

Aryan Root *kar-/Teutonic Root *har- meaning 'to hurt' or 'to destroy'.

The last of these meanings seem to fit the role of the sword. It should be noted that the prefix 'Ex-' seems to have been added to the original name, maybe used to signify the 'X' in 'Xrist' since these legends were written down in Christian times. There is also a famous sword in the Ulster Cycle - Caladbolg - wielded by Fergus mac Roich. Excalibur was either the 'Sword in the Stone' or the 'Sword in the Lake'. 


In Beowulf we find a sword named Hunlafing Hildeloeman which is placed on the lap of Hengest. The name means - "Hun-bequest : Battle-flame" - and is the Sword of Aetla the Hun, passed from the Hunnish World-Ruler to Hengest, thus passing the Wyrd of Aetla to that of Hengest. This sword was used by the English Tribes when they rallied the Germanic Peoples of these islands and conquered the land to become 'England'. This sword could also be the same as that which Cynric wielded for the West Saxons. It is also likely that Tolkien used this as the 'Battle-Flame of the West" - Anduril - the reforged 'Broken Sword' used by Aragorn. This sword was broken and reforged by the Elves.

The Flaming Sword.

It is interesting to note that a 'Flaming Sword' is placed in the east of the Garden of Eden 'to keep the way of the Tree of Life'. This was placed there by 'God' because Eve and Adam, tempted by the Serpent of Knowledge, ate of the Tree of Knowledge - an Apple Tree is the usual symbolism. As I showed in the last article, the Apple-Tree is the Barnstock Tree of the Wolsunga House, and also the Apple of Frigga used to renew the House of the Wolsungas. The Ogham Quert is the 'Apple-Tree' associated with the Cweorth-Rune. The 'Flaming Sword' is wielded by the Last Avatar. 

The Stan-Rune in its 'Stone of Ing' version contains the English Ing-Rune within twin staves - 

I have mentioned before on many occasions how the letter ng (which it once way) has been broken into an 'n' and a 'g' and thus symbolises the 'Broken S-Word'. It is also interesting to note that the English Ing-Rune is made up of two Gyfu-Runes, but using the Greek spelling of 'ng' we get 'gg' which is two 'G's as in the runes. The 'Gift of Ing' is the Spear of Woden symbolised by the Gar-Rune, and the 'Memory of Ing' is contained in the sword Miming. Ingwe-Frey was seen as a 'Sword-God' who gave up his sword for the love of Gerda (Earth), and had to fight Surt (who wielded a 'Flaming Sword') with a Stag's Horn. The form NG is thus associated with the 'Flaming Sword' since Ingwe is a Fire-God just like Agni. (Note that an alternative name for the Cweorth Rune is Tris which is 'SIRT' spelled backwards.) 

Perhaps far more important than the actual meanings taken from the root-words is the meaning 'Ritual Fire' or 'Fire of Cremation' used of the Cweorth-Rune, and also its relationship with the Peorth-Rune or 'Rune of Wyrd'. Cweorth is a Rune of Transformation by Fire and Purification by Fire, the element that will destroy the worlds through the 'Fires of Surt' in order that they can be recreated anew for a new Cosmic Cycle. Cweorth is the Fire-Twirl, the symbol used by Waendal or Mundilfari to create the worlds, and used by Rudra-Shiva to destroy the worlds. 

The Nyd-Rune shows the Sword pushed into the trunk of the Barnstock Tree - Oak or Apple. When the Sword is removed the 'I' or 'Broken Ego' is renewed, which is the role of the Warrior-Hero. Richard Wagner, in his Ring Cycle, names the sword Nothung which is the 'Need of Ing'. We should never dismiss this symbolism as being 'late' and thus 'not authentic' because Archetypal Myth adapts itself to an era, and Wagner (like Nietzsche) was one of the foremost mystics and prophets of this era. Indeed, through Parsifal, Wagner saw past the roles of Sigmund and Sigurd (Siegfried) into the one who would create a renewal of Nature. The Nyd-Rune is associated with 'death' and the 'Mystical Death' of the Wodenic Initiation. 

Sigmund - World War I

Sigurd - World War II when the 'Broken Sword' is renewed.

Parsifal - Seeker of the Graal. Plunges the Holy Spear into the Holy Graal, an act of Creation that will create the God-Man. 

These mysteries are found in that of HelgiH Thrice-Born who comes as the Last Avatar. 

The "Word-Sword".

The play-on-words of the term 'sword' to 'S-Word' comes out in an interesting piece where the 'Son of Man' (Ing) has a sword coming from his mouth. This comes into the Graal Mythos through Wolfram von Eschenbach in a passage related to the 'Word-Sword'. In this the 'Word-Sword' has become old, atrophied, shattered, and lost its power. Only through discovering the source of this power can the 'Word-Sword' be renewed. The source of this power is hidden within the text of this mythos.

It is hidden in the Well of Kunneware which is the source of the 'Magic Spring'; above this Holy Well is a globe upon which sits a dragon. This whole text refers to the Base-Cauldron of the ALU-ULA Formula which is centred around the sex-organs (related to Ingwe) and Hara-Centre. 'Kunneware' is the 'Kan-Rune or 'Rune of the Dragon' which 'guards' this Holy Well. The 'Magic Spring' is the source or origin and thus the link to the Ur-Rune which is the rune of this centre. The symbol of this Sacred Centre is the Fylfot-Swastika which is at the 'foot' of the Sacred Tree, the Base-Centre. 

The 'Word-Sword' can withstand the first blow, but on the second blow it shatters; its renewal can only be done by taking it back to the source which is the Holy Spring below the Rock, where it can become whole again through the flow of water (Lagu-Rune). This must be done before the light of day has shone upon it. The Signs of the Constellations will then re-appear upon the blade of the Sword in their right order. Since we find that one of the swords is given by the 'Lady of the Lake' we can easily link this to the Lagu-Rune and to the flow of water that renews the Broken Sword, even if this is not actually stated in this saga. 

The Base-Cauldron is the 'Cauldron of Heat' or 'Golden Stove' in Chinese Tantra; it contains the Manipura Chakra which is related to -

  1. Fire.
  2. The Swastika - Force of Fire.
  3. The Ram (Agni-Inga).
  4. The Mantra - 'RAM'. 

We can relate three of the lower chakras to the Base-Cauldron - Muladhara (Earth), Svadhisthana (Water) and Manipura (Fire), although there may be some overlapping of symbols between the Three Cauldrons. 

There are three symbols here relating to the Kundalini or 'Fire-Serpent' - 'Kunneware', 'Magic Spring', and 'Dragon-Serpent'. There are also three runes that link to these ideas - Lagu (water-well-spring), Ing ('Spring', 'Rising' etc.), and Daeg (Light of Day). The source of the power of the 'Word-Sword' can be seen as the Fire-Serpent represented in Wodenic Lore by Ingwe as the Inga-Fire. This is also the Ur-Spring or 'Primal Spring' related to this Cauldron of Power. The source of the Water is in the Earth, and the source of the Fire is in the Water - 'Fire-from-Water'. This is the 'Fire of the Brisingas' (Brisingamen) which Loki stole, swam through the waters, followed by Hama who took the stolen necklace from him and returned it to Freya. Hama retrieved the Necklace of Fire from the waters. This is the same tale as that of Kau Khusrau of Persia when he retrieved the Hvarena ('Glory of Light') which belonged to the Aryan Nations and to Zarathustra. 

What is not clear is the link between the 'broken' "Word-Sword" and the Zodiacal Constellations, although we are not specifically told that this is the Zodiac. The 'Signs of the Constellations' could indeed be the Ancient Runes since certain runes do show constellations in the night-sky (the Cweorth-Rune is the Constellation of Signus the Swan, and Bootes is shaped as an Ing-Rune in one variant). 


Waendal can be seen as Mundilfore who is the 'World-Turner' who sends down his 'son' (Hama) to Earth bringing Friction-Fire at the end of the Golden Age. The Long Man of Wilmington is Waendal here seen in the pose of the Cweorth-Rune as the 'Fire-Whisk' that whisks the worlds into creation and which also destroys the worlds through the 'Fire-Dance of Rudra-Shiva'. The 'Tree of Waendal' is the 'Tree of Immortality' the Yew Tree (found in the churchyard in Wilmington and said to be some 1,600 years old). 

The Ear-Rune is 'Earth' & 'Water' whilst the Cweorth-Rune which shares a similar shape is 'Fire'. The concept of 'Fire-from-Water' is associated with Ingwe & Agni. 

The Long Man & The Graal.

I have gone over this before but will look again at the same details which I discovered in a book called The Wilmington Giant by Rodney Castleden. This is based upon a suggestion by S.F. Annett that the area around the Long Man features in the Petit Saint Graal which features Parsifal (Peredur). Here, again, I am not going into the tale, but will look at the individual features or symbols -

A castle with no inhabitants - Burlough Castle is a 'castle' with no trace of a building, it is a large mound. This was the home of the Sussex 'Fairies' (Elves).

A chessboard on which the pieces are moving themselves - here Parsifal loses and throws the chessboard into a river.

The River Cuckmere which runs through this area between the Long Man and a White Horse on Hindover Hill (High & Over).

The White Hart - An 'ill-favoured maiden' rebukes him and has to go to a nearby wood to behead a White Hart. He does as he is told, but a mysterious knight appears and takes the head. The nearby wood is a small grove of trees which surrounds Lullington Church. The White Hart and its hunting may be seen in another Comet-shaped long barrow east of the hill-figure - Hunter's Burgh.

A mound beneath which is carved the figure of a man - There is a Long Barrow called 'Windover Mound' just above the figure of the Long Man. 

A huge Black Man appears from the mound and Parsifal defeats him. This is the 'Wild Man' or Wuduwasa.

Unfortunately, as usual, S.F. Annett approaches the whole tale from a 'Celtic' point of view even though this is in the area of the South Saxons and before them another Germanic Tribe named the Belgae. Looked from a Germanic point of view it can be equated with Germanic Mythology. 

Here two players of Taefl sit in the pose of the Peorth-Rune, playing this game as a Game of Chance (it would have been played with dice). Thus the game is associated with Wyrd and the 'ill-favoured maiden' would be one of the Wyrd Sisters. 'Windover Mound' is a long-barrow with a difference; it has a cigar-shaped long-barrow and a round barrow at the hill-figure end. This may be a Phallic Symbol in all, or there is the possibility that the Long Barrow is the Phallic Symbol and the Round Barrow the Graal-Symbol. The Spear plunged into the Graal. The large 'Black Man' is the Guardian of the Gateway which is the hill-figure who holds open the doors, or holds twin-spears (originally). He is the Wuduwosa. 

It is interesting to note that the Peorth-Rune is the Beorc-Rune opened up in 'birth' and thus the 'Birth-Rune'. As I have said before, the whole area is a 'Time-Clock' set to be triggered by the last appearance of the Hale-Bopp Comet in the spring of 1997 (Hunter's Burgh represents the Hale-Bopp Comet). The White Horse, through the use of the term 'hart' and being on top of 'Hind-over' hill, would be the 'White Hart'. The small church found in the wooded area at Lullington stands on a heathen mound and was thus a heathen site originally. 

In the Horns of Gallehus (Denmark) we find in the third row from the bottom two figures carrying a Board-Game, underneath which is a dog-headed figure in the Peorth-Rune pose. On the bottom row, in the centre, are two 'dice', or what appear to be dice, each with 3 dots. If you look carefully at the top runic-stance poses on the bottom row there is a human figure and dog figure (on a leash to another human) in the self-same pose with a board-game between them. (To understand the dog-figure a look at Kris Kershaw's work on Odin and the Germanic Mannerbunde traces this back to Vedic India.)

The Number 16 forms a great part of the Graal Mythos, and this is associated with the game of chess which has 16 pieces on each side (this is a later form of Taefl and best known for medieval times when the Graal Mythos was around). A chessboard thus has 32 pieces and 64 (double that) squares (8 x 8). In another variant of this the 'ill-favoured woman' is a young woman wearing a red dress covered with stars - the 'Red Queen' of Egil's Saga. She is the ruler of the Number 4 which is the basis of the chessboard - the Star Woman. We are dealing with an area in the south and thus with the southern stars and thus the link made in The Sacred Triangle of Pagan Iceland (Einar Palsson) with Isis and Sirius. Emma Jung, again working through Celtic Lore, sees this Star Woman as  she who inherits the chessboard of 'Morgana'. This is very interesting in view of my dream of 1997 which stated that the Hale-Bopp Comet was 'sent by Morgana', especially as I usually work through Germanic Mythology. Whatever the case the 'Star Woman' is Wyrd and the chessboard is symbolic of the Conflict of Opposites that creates Wholeness. Since some scholars also consider that the original 'Holy Grail' was the 'Horn of Plenty' it is also relevant to record that at the same time as the Hale-Bopp Comet was said to have been 'sent by Morgana' it was also stated that this was linked to 'Capricorn - the Horn of Plenty'. (This was long before I ever read the book on Pagan Iceland.)

The Skapker Heidhrunar ("Measuring-vessel of Heidrun") is the 'Horn of Plenty, associated with the goat Heidrun (Capricorn in the Northern Skies and the Northern Gateway to the Gods). Note in the board-game where the players sit in the Peorth-Rune stance the right-hand player holds a horn. (The other side is not clear so both may do so.) The Horn of Heidrun sustains the Einheriar in Valhalla. The 'Horn of Plenty', it is said, is the Womb of the Great Mother, and here we can see yet another link with the Long Man of Wilmington. This hill-figure is symbolic of Cygnus the Swan whose main star - Deneb - is a pointer to the Dark Rift at the centre of the Milky Way Galaxy. This is sometimes seen as the 'Womb of the Cosmic Mother'. The idea of a 'black man' is thus symbolic of the 'Dark Rift' and the 'opening' is where the 'birth' takes place. It is also interesting to note that in Wulf's Prophecy Wid-Ar the Avenger (HelgiH) appears through the 'Triangle' and Cygnus the Swan is in the Summer Triangle. 

We need to look at the name 'Heidrun' which means 'bright' (heidr) 'secret' or 'mystery' (run) or 'Bright Rune'. She is the she-goat who eats from Yggdrasil, the World Tree and thus produces Mead in her udders which sustains the Einheriar in Valhalla. This is the Sacred Mead of Immortality taken from the 'Tree of Life' (which is also called 'The Measuring Tree'). The area of Capricorn in the Northern Skies is the 'Northern Gateway to the Gods'. 

Cygnus the Swan

What we should notice is that in the modern interpretations of these Grail Mysteries Morgana is seen as being on the side of 'evil'; this can be explained by these mysteries being set down through Celtic Christianity and the Norman-French in the times when anything English was being destroyed or suppressed where it could not be destroyed. In these legends 'King Arthur' was the good guy - the Christian - and Vortigern and Morgana were the bad guys, most likely because they were drawn from Heathen Lore. Morgana is the Irish Morrigan who were the 'Sisters of Fate' - Wyrd Sisters. King Arthur is often associated with the Red Dragon and Vortigern with the White Dragon - a reversal of Germanic Lore.


All of these can be linked to the ideas above since we have -

Cweorth - The Sword.

Calc-Stan - The 'White Stone' or chalk-hills of the South Downs on which the hill-figure stands. There is also the 'White Stone' in West Sussex. 

Gar - The Spear. Twin spears were once held by the hill-figure who is Woden as the Great Initiator

The Sacred Marriage & The Divine Child.

In 1999 there was an astronomical event in which the Sun and Moon were seen in the 'Sacred Marriage' through the Solar Eclipse of August 11th 1999 at 11.00am. The planet Venus (in the constellation of The Virgin) was in the same house - the 'House of the White Dragon'. But this was not all, for between the years 1998 and 2012 the Sun moved into the area of the 'Dark Rift' of the Milky Way; the Sun (Male) moved into the Womb of the Mother. This must be a sign of the conception of the New Age and the 'Divine Child'. 

"Of all the realms/empires one returns twice - and always in a different location. The vibrations derived of the Bab-Chomet causes this."

Prophecies of Sahaja (from Babylonia).

This prophecy refers to the return of Sargon as the 'Third Sargon' who will appear in the North at a time when the Sun blackens across Europe (Black Sun or Solar Eclipse 1999). The 'Bap-Chomet' reminded me of 'Bopp-Comet' and refers to the Hale-Bopp Comet which cycles every 4,000 years, the last time being at the time of the Great Flood, and the next time prophesied in the New Testament as the 'Second Coming' (of the 'Son of Man') and in Islamic and Jewish Lore. It is the 'vibrations of the Hale-Bopp Comet' which was 'sent by Wyrd/Morgana' that brought about these events. 

The Gar-Rune has within itself the 'Hidden Rune' which is the Fylfot-Swastika overlaid upon the Ing-Rune, thus the Fylfot-Swastika overlaid across the 'Land of Ing' (England). The Gar-Rune as it is represents the 'Sacrifice of Ing' or the 'sacrifice' of the English and of England for a higher destiny. Here in the 'Islands of the West' ('Land of the Dead') we find the Eternal Battle between the White Dragon (Goten) and the Red Dragon (Joten) which comes to a head at the End Time. The Gar-Rune in the above form can be expanded in all directions; it represents England (Ing-Rune) as it once was according to Roman historians (diamond-shaped) but when expanded it represents the 'Rising of At-al-land' from the Great Deep. The Land and the Folk are one - An land - An Folc!